Ah, poetry lost. Or poetic prose lost. That’s the sequel,
right? First poetry, then the novel. Let’s not talk about the rise of the
novel. If I do, I will have to remind myself that I spent far more of my life
reading Clarissa than I ever wanted to.
And Northanger Abbey was shit
too. The problem with most satire, I find, is that it tends to be indiscernible
from the content it is attempting to comment on. This, in my opinion, is the
problem with most American animated comedy shows. It isn’t satire. It is outlandish
fiction. Swift’s Gulliver’s Travels
was satire. A Modest Proposal was
satire. The Simpsons is a bunch
of Yahoos gallivanting around.
I had begun to write about my poetry when the computer died.
It is one of those rare moments in modern technology when it didn’t manage save
my lost work. A pity, I was enjoying writing about the poet inside me who rages
against the twelve-bone cage I keep him in. About the worlds, words carved on
the bars til the stark white of the bars, invisible in the meaty darkness, is
lost beneath the scrawl of symbols to which we agree to give meaning. The poet
inside me who rages loudly because he sees through my eyes when I read the
poetry inside the words of others and it is flint to the tender of his muse.
The poet who rages so that his words may be loud enough that some may drip from
my fingers, slip from my tongue.
It has been a long time since I wrote a poem. I rarely
consider my lyrics to be poetry as well. There are aspects of poetry in them,
but they aren’t poems in truth. Sometimes they come close, the poetry of my
song, “Roots,” is one of the reasons I am so proud of it.
I’m tired of playing
at being a tumbleweed
I want to put down roots
and grow into a tree
Poetry, well, creative writing in general, should show and
not tell. It is uninteresting to say, “I want to stop living a nomadic
lifestyle and settle down with a good woman and lead a good life.” It would
make for a boring song, and terrible poetry. Instead, we fill the page with
metaphors, make a river of meaning that flows around the boring dam of blunt
prose and create images that slip under the skin and gnaw on the imagination of
the reader, the listener.
I do not do this enough. There is a reason I describe the
poet within me as caged. I don’t write poems as I used to. My lyrics don’t
satisfy the part of me that never hung my bachelor’s degree in creative writing
on the wall. I never wanted to tell the world I was a poet, I wanted to show
them.
Yet, here I am, six years beyond that black cap and stage, unwritten,
unpublished, unseen. The poet of me has been reduced to a mediocre lyricist,
the author to a personal blogger more introspective than concerned with the
world at large. The amateur songwriter barely braves the stage. Perhaps what I
need is to call myself to arms. Perhaps I should rage, rage against the dying
of the light.
I have the training, I have the texts still, hoarded and
boxed and set upon quiet shelves where they can hardly mumble between the tight
borders of their covers. The poet lies chained, his bowels devoured eternally
by the eagle. His muscles emaciated, his ability squandered, his breath short,
hard, fast. He tires quickly, but longs to bring fire again to the world. The
light hurts after so long. It seems safer in The Cave.
I am thankful for, and humbled by, the words of a few who
stir that prisoner within me. They breathe poetry, whether they know it or not,
and remind me that I can, and have. There is a voice in me that once knew song.
It sings still, but sotto voce from the depths. If I close my eyes I can linger
in the echo of its majesty.
Don’t fear that I don’t give myself credit where it is due.
I just know that there is room for improvement, room for the captive to spread
his legs, stretch out his fingers and pour verse into the cup of life. There is
a voice to shape and define, coax into an eloquent sound skilled in both melody
and harmony. There is freedom to
be found for the poet in the twelve-bone cage.
-m0rg4n
For the curious, or interested, dance class went well. I had
a private “lesson” with one my most frequent students, a woman in her 50s. She
hasn’t attended class in a month and a half, but it turned out to be for the
best. The rest allowed much of what she had learned to settle and set in.
Rather than teaching her anything specific, we simply danced for an hour, going
through as many styles as I have taught her. She danced better than she ever
has. I am, however, out of shape. I haven’t danced that much in a long time.
I almost skipped my normal class. No one showed up for the
first 15 minutes and I was just getting ready to put away the furniture when
one of my recent regulars arrived. I began to teach her the “basic” for
Argentine Tango, as much as I know of it when another one of my teen regulars
showed up. Finally a second lead, another regular also arrived; he was a half
hour late.
We went on to review and learn more West Coast Swing. Since
they were regulars and youthful, I made certain they weren’t uncomfortable with
poor language and relaxed my filter. I have a lot of respect for propriety, but
it makes me somewhat distant at times. Our lesson was both fun, silly, and
fairly amusing. Rather than counting the beat, I sang syllables to the rhythm I
was dancing, cracked jokes, and made myself comfortable. At one point the whole
class fell apart because the three of them were laughing so hard. The first
follow who arrived actually walked outside because she started snorting.
I don’t relax my filter that far very often. It was nice to
feel that comfortable around people. It isn’t just that I use words like “fuck”
more often, either. I just feel more, what’s the word Rapscallion used. . .
corybantic. But that’s not right either. Less saturnalian. Perhaps carefree is
simply good enough.
No matter what, I enjoyed my evening.
And a thousand words, goodnight.
-m0rg4n